KALOMA…“I Married Wyatt Earp”

Rare original photo titled “Kaloma” that was widely circulated and a very famous early erotic image. This photo was used in the book “I Married Wyatt Earp” the recollections of Josephine Earp. There is much debate weather or not the image is really the wife of Earp or not. Still a very historic and one of the most famous early images of it’s type.





coverThe 1976 book I Married Wyatt Earp was believed to be a memoir of his widow Josephine Earp, but was many years later described as a fraud, creative exercise, and a hoax. Originally published by the respected University of Arizona Press, it is the second best-selling book about western Deputy U.S. Marshal Wyatt Earp ever sold. It was regarded for many years as a factual account that shed considerable light on the life of Wyatt Earp and his brothers in Tombstone, Arizona Territory. It was cited in scholarly works, assigned as classroom work, and used as a source by filmmakers. Amateur Earp historian Glenn Boyer said that the retouched image on the cover of a scantily-clad woman was of Josephine in her 20s, and based on his statements, copies of the image were later sold at auction for up to $2,875.

Boyer had a long-term relationship with members of the Earp family. He claimed that he used two manuscripts written by Josephine Earp as the basis for the memoir. The first was an account, allegedly composed by Josephine with the help of former Tombstone Mayor and The Tombstone Epitaph publisher John Clum, known as the “Clum manuscript”. The second, supposedly written by Josephine with the assistance of two Earp cousins, was known as the “Cason manuscript”. Josephine fiercely protected details of her and Wyatt’s early life in Tombstone, including her own life there and the existence of Wyatt Earp’s second wife, Mattie Blaylock, even threatening litigation to keep some details private. Josephine was repeatedly vague about her and Wyatt’s time in Arizona, so much so that the Earp cousins gave up collaborating with her and publishers refused to publish the manuscript.

In 1994, other Western researchers and rival authors of new Earp books identified alleged discrepancies in the book and began to challenge the authenticity of what they called the “Clum manuscript”. They also claimed to have identified factual errors and inconsistencies in other books published by Boyer, leading to an increasing number of questions about the veracity of his work. The risque cover image was linked to a photogravure titled Kaloma that had been first published by a novelty company in 1914. A 1998 investigative article in the Phoenix New Times revealed that Boyer could not prove the Clum manuscript existed and refused to allow the reporter access to the source documentation. The article also disclosed that the university press’ editor encouraged Boyer to embellish the account. During the interview, Boyer said that he had a responsibility to protect the reputation of the Earp brothers, and that he “had a license to say any darned thing I please…[to] lie, cheat, and steal.” Boyer found another publisher and continued to publish the work, representing it as an authentic history of Wyatt Earp’s life.

Germaine Krull – Lumières d’exil, ISBN: 9782070787708

Germaine Krull was described as “an especially outspoken example” of a group of early 20th-century female photographers who “could lead lives free from convention”



Germaine Krull (1897-1985) led an extraordinary life that spanned nine decades and four continents. She witnessed many of the high points of modernism and recorded some of the major upheavals of the twentieth century. Her photographs include avant-garde montages, ironic studies of female nudes, press propaganda shots, as well as some of the most successful commercial and fashion images of her day. Her political commitments led her from communist allegiance to incarceration in Russia as a counterrevolutionary to support of the Free French cause against Hitler to a reclusive existence among Tibetan monks in India. Kim Sichel’s study of this remarkable artist reveals a life of deep convictions, implausible transformations, complex emotional relationships, and inspired achievements.

Krull refused to limit herself to one long-term relationship, one geographical region, or one set of religious and moral beliefs. Contemporary critics ranked her with Man Ray and André Kertesz. Younger photographers such as Berenice Abbott looked up to her. Yet until recently the absence of an archive has made a proper evaluation of Krull’s contribution to photography and to modernism difficult if not impossible. In this book Sichel examines Krull’s autobiographical texts and photographic oeuvre to present and unravel the rich mythology that Krull fabricated around her life and work. The chapters follow the geographical and chronological sequence of Krull’s life, moving from Munich to Moscow to Berlin to Amsterdam to Paris to Brazil to Africa to Bangkok and other locations. This book, which accompanies the first major retrospective exhibition on Krull, should secure Krull’s rightful place among the masters of twentieth-century photography.

Yul Brynner : A Photographic Journey

 Yul Brynner, photographic genius

Award-winning actor Yul Brynner was also an accomplished photographer. Now, for the first time, his daughter has assembled a collection of her father’s photos from the early 1950s through the 1980s, representing the entire span of his stage and film career. Here are behind-the-scenes shots of stars, affectionate photos of his family, and much more. 210 photos, 27 in color.

On July 11, 1920, Yul Brynner was born Yuli Borisovich Bryner in the turbulent and revolutionary climate of Vladivostok, Russia.  His father, Boris Bryner, was a mining engineer and his mother, Marousia Blagovidova, who came from the intelligentsia, was an actress and singer. Yul grew up with a variety of languages swirling around the household including Russian, English, French, Chinese, Korean, Czech and Japanese.  When he was 6 years old, the family moved to Harbin, China, where he and his sister, Vera, attended a school run by the YMCA. Yul’s parents divorced in 1934, and with an increasingly chaotic military environment, Brynner’s mother decided to move with the children to Paris.  At this time in the late nineteenth century, Paris was the undisputed Mecca of the European arts, and the children were enrolled at Lycée Moncelle, one of the city’s top schools. During this time, Yul focused on his skills as a guitar player.

Continue reading

Egoïste, but so fashion !

EGOÏSTE Magazine, signed by Richard Avedon

” EGOÏSTE ” Magazine, issue #12 (volume 1 & 2) – dedicated to “VU agency” by Richard AVEDON


 egoisteNumber of pages: 124 p (vol 1) + 244 p (vol 2) – Dimensions: 12″ X 16″ X 1″

Language: French

The first issue of Egoïste was published in November 1977 under the leadership of Nicole Wisniak.

The most remarkable photographers and writers of their time have contributed to the 16 issues that have been published to date with a whimful periodicity. Egoiste is the subjective dictionary of an era. Known for its layout, its iconic images such as the nude of Yannick Noah by Richard Avedon or the portrait of Ava Gardner by Helmut Newton, and its advertising stories conceived and produced exclusively for the magazine by Nicole Wisniak, Egoïste has offered a space of freedom to great writers such as Francoise Sagan, Jean d’Ormesson or Bernard Frank. The publication of each new issue is celebrated by the international press and they are collected with love by a great number of fans. Continue reading

How to learn Hebew in an hour…in 1675

By Wilhelm Schickard – “horologium ebraeum”

Rare book wrote by W. Schickard and printed in 1675 (first edition). It’s a textbook of Hebrew divided into 24 chapters, each chapter containing material which could be learnt in an hour.


Who was Wilhelm Schickard ?

Wilhelm Schickard (22 April 1592 – 24 October 1635) was a German professor of Hebrew and Astronomy who became famous in the second part of the 20th century after Dr. Franz Hammer, a biographer (along with Max Caspar) of Johannes Kepler, claimed that the drawings of a calculating clock, predating the public release of Pascal’s calculator by twenty years, had been discovered in two unknown letters written by Schickard to Johannes Kepler in 1623 and 1624.

Dr. Hammer asserted that because these letters had been lost for three hundred years, Blaise Pascal had been called and celebrated as the inventor of the mechanical calculator in error during all this time.

After careful examination it was found that Schikard’s drawings had been published at least once per century starting from 1718, that his machine was not complete and required additional wheels and springsand that it was designed around a single tooth carry mechanism that didn’t work properly when used in calculating clocks.

Schickard’s machine was the first of five unsuccessful attempts of designing a direct entry calculating clock in the 17th century (including the designs of Tito Burattini, Samuel Morland and René Grillet). Schickard’s work had no impact on the development of mechanical calculators.

Wilhelm Schickard died of the bubonic plague in Tübingen, on 23 or 24 October 1635. In 1651, Giovanni Riccioli named the lunar crater Schickard after him.

The will of an eccentric… Jules Verne

Le testament d’un excentrique (The will of an eccentric) – 1900

Vintage french book : Le Testament d’un excentrique (english: The Will of an Eccentric, 1900) is an adventure novel written by Jules Verne based on the Game of the Goose.



Plot synopsis :

William J. Hypperbone, an eccentric millionaire, living in Chicago, has left the sum of his fortune, $60,000,000, to the first person to reach the end of “The Noble Game of the United States of America”. The game he devised is based upon the board game “The Noble Game of Goose”; however, in his version, the players are the tokens and the game board is the United States. The contestants are Max Real (with his companion Tommy); Tom Crabbe (with his trainer John Milner); Hermann Titbury (with his wife Kate); Harris T. Kymbale (on his own); Lizzie Wag (with her friend Jovita Foley); Hodge Urrican (with his companion Turk) and the mysterious player only known as “XKZ”. And who is this mysterious “XKZ” who was added to the game by a codicil to the will? Time and completion of the game will tell.Verne-Te-full(courtesy of D. Kytasaari)

Jules  Verne; (1828 – 1905) was a French novelist, poet, and playwright best known for his adventure novels and his profound influence on the literary genre of science fiction.jules-verne-génie

Born to bourgeois parents in the seaport of Nantes, Verne was trained to follow in his father’s footsteps as a lawyer, but quit the profession early in life to write for magazines and the stage. His collaboration with the publisher Pierre-Jules Hetzel led to the creation of the Voyages Extraordinaires*, a widely popular series of scrupulously researched adventure novels including Journey to the Center of the Earth, Twenty Thousand Leagues Under the Sea, and Around the World in Eighty Days.

Verne is generally considered a major literary author in France and most of Europe, where he has had a wide influence on the literary avant-garde and on surrealism. His reputation is markedly different in Anglophone regions, where he has often been labeled a writer of genre fiction or children’s books, not least because of the highly abridged and altered translations in which his novels are often reprinted.

Verne is the second most-translated author in the world since 1979, between the English-language writers Agatha Christie and William Shakespeare, and probably was the most-translated during the 1960s and 1970s.He is one person sometimes called “The Father of Science Fiction,” as are H. G. Wells and Hugo Gernsback.

*The Voyages Extraordinaires (literally Extraordinary Voyages or Extraordinary Journeys) are a sequence of fifty-four novels by the French writer Jules Verne, originally published between 1863 and 1905. According to Verne’s editor Pierre-Jules Hetzel, the goal of the Voyages was “to outline all the geographical, geological, physical, and astronomical knowledge amassed by modern science and to recount, in an entertaining and picturesque format … the history of the universe.”

Verne’s meticulous attention to detail and scientific trivia, coupled with his sense of wonder and exploration, form the backbone of the Voyages. Part of the reason for the broad appeal of his work was the sense that the reader could really learn something of geology, biology, astronomy, paleontology, oceanography and the exotic locations and cultures of world through the adventures of Verne’s protagonists. This great wealth of information distinguished his works as “encyclopedic novels”.

In the system developed by Hetzel for the Voyages Extraordinaires, each of Verne’s novels was published successively in several different formats. This resulted in as many as four distinct editions of each text (labeled here according to current practice for Verne bibliographies):

  • Éditions pré-originales (pre-original editions): Serialization in a periodical, usually Hetzel’s own biweekly Magasin d’Éducation et de récréation (“Magazine of Education and Recreation”, founded 1864). The serialized installments were illustrated by artists on Hetzel’s staff, such as Édouard Riou, Léon Benett, and George Roux.
  • Éditions originales (original editions): complete unillustrated texts published in book form at 18mo size. (Similar versions in the slightly larger 12mo size, with illustrations taken from the serialization, are also considered éditions originales.)
  • Cartonnages dorés et colorés (gilded and colored bindings): Complete editions of the text, published in grand in-8º (“large octavo”) book form with a lavishly decorated cover. These deluxe editions, designed for Christmas and New Year’s markets, include most or all of the illustrations from the serializations.


“Form” by Horst P. Horst… finally !

“Form”, a rare book

Horst P. Horst (1906 – 1999 ) – Autographed book

Horst Paul Albert Bohrmann (August 14, 1906 – November 18, 1999) who chose to be known as Horst P. Horst was a German-American fashion photographer.


Collected here from sixty years of work are many of Horst’s most elegant photographs. Nudes, plant forms,still lifesform, and fashion pictures comprise this selection from some of his most famous images to lesser-known and often unpublished work. Printed in exquisite, large format sheet-fed gravures, these photographs are the most beautiful and finest reproductions ever made of Horst’s work.
Form/ Horst. Ed. Twin Palms, 1992.

11 x 14 Inches
72 Sheet-fed Gravure Plates
144 Pages


In the history of twentieth-century fashion and portrait photography, Horst’s contribution figures as one of the most artistically significant and long lasting, spanning as it did the sixty years between 1931 and 1991. During this period, his name became legendary as a one-word photographic byline, and his photographs came to be seen as synonymous with the creation of images of elegance, style and rarefied glamour.

Born on 14 August 1906, Horst Paul Albert Bohrmann was the second son of a prosperous middle class Protestant shop owner, Max Bohrmann and his wife, Klara Schoenbrodt.

The first pictures that carried a Horst credit line appeared in the December 1931 issue of French Vogue. It was a full-page advertisement showing a model in black velvet holding a Klytia scent bottle in one hand with the other hand raised elegantly above it… Horst’s real breakthrough as a published fashion and portrait photographer was in the pages of British VogueHORST_P_HORST_LISA_AS_ VOGUE_1932_Fstarting with the 30 March 1932 issue showing three fashion studies and a full-page portrait of the daughter of Sir James Dunn, the art patron and supporter of Surrealism.

War was declared between America and Germany on 7 December 1941. Horst was called up for service, though he was not officially enrolled until July 1943. The late 1930s and early 1940s were his most productive years, during which he excelled at working with 10-x-8 inch colour transparencies both for covers and for portrait and fashion sittings…
As a typical example of wartime escapism, the Rita Hayworth film Cover Girl (1944) provided Horst with the opportunity to produce one of his most sumptuous film-star covers in a montage of seven different portraits of the cover girl Susann Shaw set against a silk design. His picture of Loretta Young became an almost immediate classic when it was featured in a special edition of Vogue which included masterpieces of photography selected by (classic photographer Edward) Steichen to show off the first hundred years of the medium.

Pictures taken in Europe in the 1950s, away from studio interference from the new Vogue editor, had a startling plein-air quality. They ranged from Ian Fleming shot at Kitzbeuhel to an extended essay on the German conductor Herbert von Karajan in his modern sports car at his Austrian retreat… Horst’s first important trip to Austria occurred in 1952, to work on a major advertising campaign with the new model Suzy Parker, who would become a major star in the 1960s before attempting a film career. In America that same year, he took his first lifestyle house and interior photographs; the sitter was Consuelo Vanderbilt, Duchess of Marlboro and now MMe. Jacques Balsan. This series, encouraged by Diana Vreeland during her time at Vogue, was to continue into the 1980s in both Vogue and House and Garden and was to be collected in the book Horst: Interiors by Barbara Plumb (1983).

The 1960s started well for American Vogue with the appointment of the larger than life ‘Empress of Fashion’, Diana Vreeland, as Editor-in-Chief. Vreeland served from 1961 until 1971, when a change of approach was deemed necessary. Horst was assigned some of the leading players of the time and produced a number of archetypal images of this energetic decade.

The 1970s remains the decade that good, timeless style overlooked, and work for Horst was necessarily sparse… However, Horst’s rediscovery by a new group of 1980’s style-seeking enthusiasts resulted in increasing commissions…
Horst was commissioned to take nine photographs which appeared in February 1980. This was the most popular issue of Life in that year, selling 1.5 million copies. It led to a book contract and continued work with (editor James) Watters, whose encyclopaedic knowledge of early Hollywood stars made him the ideal interviewer as the two men travelled round America to produce their best-selling book Return Engagement: Faces to Remember – Then and Now (1984).

Horst’ career can be said to have reached Old Master status when the world’s most famous pop goddess, Madonna, created her celebrated hymn to classic fashion photography with her single Vogue in 1990. In the video directed by David Fincher, she posed as a recreation of Horst’s most iconic fashion image, a model seen from behind, wearing a partially tied, back-laced corset made by Detolle.

In his approach to portraiture, Horst set out to create a parallel aspirational universe in which his subjects became mysterious and alluring. Bruce Weber, one of many photographers influenced by Horst, artfully described his feelings about Horst’s work in a 1992 television documentary: ‘The elegance of his photographs … took you to another place, very beautifully … the untouchable quallity of the people is really interesting as it gives you something of a distance … it’s like seeing somebody from another world … and you wonder who that person is and you really want to know that person and really want to fall inlove with that person’.

Yeehaa ! Buffalo Bill is back !

Buffalo Bill’s Wild West Programme

Historical Sketches & Programme, copyrighted Cody & Salsbury, New York, 1896. Chromolithographed paper wraps, 64 numbered pages.



Wild west shows were traveling vaudeville performances in the United States and Europe. These shows introduced a romanticized version of the American Old West to a wide audience.

BuffaloB1Buffalo Bill’s Wild West show was formed in 1883 and lasted until about 1913. Pawnee Bill’s Wild West show was assembled by G.W. Lillie (Pawnee Bill) in 1888. In 1889 it was reorganized as Pawnee Bill’s Historical Wild West, Indian Museum and Encampment. The show travelled throughout the United States and Europe and in 1906 reorganized as Pawnee Bill’s Great Far East show. In 1908 Lillie bought interest in Buffalo Bill’s Wild West Show and in 1909 combined to become Buffalo Bill’s Wild West and Pawnee Bill’s Great Far East.

It went bankrupt in 1913. The Miller Brothers and Arlington 101 Ranch Wild West show had a variety of names, ran from 1908 to about 1930.


Includes programs, playbills, a few newspapers, and clippings for American wild west shows. Includes one program in German. Companies include: Buffalo Bill’s Wild West Show, Miller Bros. & Arlington 101 Ranch Real Wild West (Organization), Pawnee Bill’s Historic Wild West Show, and others.

Programme (verso)


William Frederick “Buffalo Bill” Cody (February 26, 1846 – January 10, 1917) was an American soldier, bison hunter and showman. He was born in the Iowa Territory (now the U.S. state of Iowa), in Le Claire but lived several years in Canada before his family moved to the Kansas Territory. Buffalo Bill received the Medal of Honor in 1872 for service to the US Army as a scout. One of the most colorful figures of the American Old West, Buffalo Bill became famous for the shows he organized with cowboy themes, which he toured in Great Britain and Europe as well as the United States.

Dr. Livingstone, I presume ?



STANLEY, Henry M. The American Testimonial Banquet to Henry M. Stanley, In recognition of his Heroic Achievements in the cause of Humanity, Science & Civilization. London: no publisher, May 30, 1890. Octavo, original elaborately tooled full polished brown calf, patterned endpapers, all edges gilt.

First edition of this scarce volume issued to those invited to the exclusive 1890 American Testimonial Banquet honoring explorer Henry Stanley, with five vintage prints of Stanley and his chief officers, each mounted on blue paper and tipped to heavy gilt-edged card stock.

IMG_0091Perhaps no European is more closely connected with Africa than Lord Stanley. His final journey to Africa as head of the 1887 Emin Pasha Relief Expedition was particularly exceptional in its terrible human cost, resulting in the death of “over 500 people directly connected with the expedition” (New York Times). Stanley and his officers “Jephson, Parke, Stairs” and Nelson covered hundreds of miles and “marched in “grim conditions” with a “steady trickle of thefts and desertions, interspersed with attacks by tribesmen… Every day several men died of starvation” (Jeal, 342). Yet Stanley still managed to compile important data on the Pygmies and discovered the Ruwenzori, or “Mountains of the Moon.” The perilous journey nearly cost Stanley his life and ended sadly when Emin Pasha expressed anger at Stanley’s interference, ultimately refusing to leave Africa. This handsome programme, issued to those invited to an exclusive May 30, 1890 American Testimonial Banquet held in London some time after Stanley’s return, points to his signal importance as explorer, adventurer and a hero of the Victorian era. With copies likely limited to the 400 or so people at the affair, this lavish volume contains five vintage prints—of Stanley and his chief officers Stairs, Parke, Nelson and Jephson—all in attendance. Each print, measuring 3-1/2 by 5-1/2 inches, is mounted on pale blue cards displaying captions, signature facsimiles and tipped to heavy gilt-edged card stock. The elaborately tooled and embossed programme also contains a list of committee members and honorary stewards, including James Whistler, P.T. Barnum and Bret Harte, as well as a tipped-in plate of “Shield and Medallions” and accompanying description, along with the evening’s menu, music programme and “Toast List.


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