Femininity…Deborah Turbeville, Photographer

A tribute to Deborah Turbeville, Photographer

Deborah Turbeville’s New England upbringing gave her a fascination with environments, which is still reflected in her evocative work today. Turbeville moved to New York City before she was 20 and worked for designer Claire McCardell, who was a major influence on her career, first as an editor at Harper’s Bazaar and Mademoiselle, then as a photographer.Turbeville is an internationally renowned photographer whose soft-focused and pointillist work appears regularly in American, British, French, Italian, and Russian.[source]

The photography world lost one of its legends on 24th october 2013 with the death of fashion photographer Deborah Turbeville. She was 81. Turbeville lived in Manhattan, until her death, which resulted from her battle with lung cancer. Known as the “anti-Hemlut Newton,” Deborah Turbeville’s sense of femininity, combined with her penchant for darkness, made her one of the influential greats.

She famously shot one of the more controversial (at the time) editorials for American Vogue in 1975. The Bath House story featured models in swimwear and drew comparisons to concentration camps and drug addicts. According to Turbeville, “It was the most controversial thing that the magazine ever had—they never heard the end of it. I’ve sort of had to live with this picture because the only picture that American Vogue ever wants from me when they have a book that they’re doing is this one.”

She was the only female photographer (and the only American) amongst her contemporaries (Helmut Newton and Guy Bourdin) that are recognized for morphing the fashion photography landscape from the serene and sedated to the more shocking and sometimes morbid. Her work has appeared in Vogue, Harper’s Bazaar, W and The New York Times.

 

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